Through stained-glass windows, Akacorleone creates a sacred, contemplative atmosphere. Through each window, the viewer repeatedly sees a formally composed sphere, changed by its surroundings in each iteration. Is it a repetitive phenomenon or is it just a product of our imagination? Through Omnipresent, you decide.

Mi cuerpo ¡Hell yeah! (My body Hell yeah!) is a mural celebrating body positivity, a movement that empowers every natural physique. The complex relationship between fashion and the body has changed, offering the opportunity to use the Village's physical space to highlight what has been traditionally considered ‘non-normative beauty standards’ for the female body.

Through the work To not fit in, the Casa Antillón collective wants to raise a question: "Buildings welcome people. But what about those who don't fit in? The giants, the ogres. Those who are counted apart and whose character exceeds the frame. The monster that overflows the building and yet clings to it like the dreamer to his pillow. What will happen when they wake up?" The answer waits in the Village.

The façade of the Tommy Hilfiger boutique is transformed into a stage of possibility, metamorphosis and resistance by Gema Polanco. For her work She that confronts monsters and turns them into allies, Polanco let her imagination climb and sprout through the building’s façade. Using her own palette and the brand’s staple colours, she created a safe space to be true to oneself.

PinkHouse transforms our conservatory into a greenhouse filled with pink Finnish moss, conceptualised as a matryoshka. It seeks to position us as a species facing off against nature’s invasion of our claimed spaces and asks the viewer to reflect on their optimism. It’s an unusual object that’s on display but isn’t for sale, with its worth and purpose determined by the viewer.

Covering part of the Village’s structure, De otra tierra was conceived on a journey through southern Mexico. Valdeón emphasises the importance of understanding cities and clothing through tradition, architecture and decorative motifs. From ceramics born of earth and water, the patterned designs are recreated to create a mural that uniquely shelters the façade.

Urticae understands fashion as exhibition and justification of feeling. With her work, she seeks to explain how, after a spontaneous act of choice, human beings cover our skin with fabrics and colours to generate new communicative codes and experiences.